William Eggleston
Context
Eggleston was born in Memphis, Tennessee, in 1939, and he grew up on the very fringe of the Mississippi Delta. He bought his first camera, a Canon Rangefinder, in 1957, and after a brief period of work in monochrome, he switched to colour in 1965. One aspect of Eggleston's photos that not everyone agreed with at first was his use of colour. Another factor about Eggleston is that he notices every small detail within an area, his images are anecdotal moments that happen in everyday life that he manages to capture. He only takes one shot of the same image and doesn't take multiple shots to find the right one proving his skills within Photography and his ability to capture shots at the right moment similar to Henri Cartier-Bresson's. I want to use Eggleston's ideas within my work because I like his ideas of using bright colours similar to Martin Parr, I also like the way he contributes old America and new America within the same picture.
Eggleston's skills are present within this image because as at first glance it seems as though we are looking at a car tyre but this image is actually a self-portrait. In the top right hand corner we can see Eggleston's reflection in the car, it shows us the low angle that Eggleston used to take his images. This image doesn't show the colour that he uses in his other images but it shows the small details that he choices to photograph. He has chosen to photograph a car tyre with no tread around it, also it looks dirty but these small details give the image meaning. I think that he is trying to show the view that American people were obsessed with cars at this time showing how used and worn away the tyres are. The small details that Eggleston's photographs I want to use in my work because it will establish my view of British Culture in a different way.

This image shows Eggleston's use of colour as there are bright colour's within this image. There are small details within this image that show Eggleston's background and show the elements of small rural America. The rusty old car on the top of the building represents the area that he is in and the background that he is coming from, it shows the rural America areas. This could link in to my project regarding British Culture because I can photograph elements in British areas to show British Culture in a similar way he has shown American culture. He has shown the rural America alongside the modern America because it shows the old rust car alongside the new buildings. He has shown the difference between the two different time periods. This can be present in my project because there are elements of old Britain and modern Britain within the places I have visited.

This image shows a modern view of Eggleston, this is a view from a section of an aeroplane. I would assume that is is the VIP section because of the type of drink she has, showing an upper class view from the plane. Like the image before this also shows the colours that Eggleston uses because of the bright colour of the drink. The main element of the image that I am drawn in by is the shadow that is created by the drink, this is another small detail that Eggleston has noticed. Like the majority of Eggleston's images this doesn't show the identity of the woman who's drink it is, we instantly associate this drink with a woman because of the elegancy of her hand and the femininity of the drink. This image is different than other images that Eggleston has produced because it shows an upper class view of America whereas in his other images he shows the both time periods of the place.

In this image we can see an old rusty child's bike. This image shows the low shot that Eggleston takes to capture the details in the shot. This image also shows elements of comparing old American and modern America because the old bike in the front can be compared to the new modern buildings in the background. This image doesn't show the colour elements that are present throughout his other photos because this one appears much duller. The angle that he has taken the image at has made the bike seem bigger than what it actually is as he has made it look bigger than the houses. We know that he takes his images from a low point of view because of his reflection in the car image.
In this image we can see a table within a diner with various objects on the table. The angle that the image has been taken from shows a shadow from the sun onto the objects. This image represents the culture within America because it shows the types of places that American people enjoy going, there are still diners around in America which could be something that Eggleston is trying to portray, culture doesn't really change sometimes it stays the same. His images are extremely colourful and show and inviting aspect within them, the bright colours draw us in to the picture because they are bright. I think these objects could represent people and the different types of people there are in the world, all shapes and sizes. The image gives a connotation that all these people of different sizes, races and shapes are all the same and merge into one because of the shadow that is created on the table by the sun reflecting on the objects.
Influence and Summary
William Eggleston has influenced my work because of his idea to notice small details within an area. In his shoots he is known for documenting the ugly in an area that tells a story, for example the image of an old child's bike above. In the beginning of my project I wanted to document objects close-up to show British culture but my idea changed and I decided to document landscapes. His influence is not really existent within my work because I haven't focused on objects or people. The only element of my shoots I can relate to his work is my image of Big Ben with scaffolding around it.
Influence and Summary
William Eggleston has influenced my work because of his idea to notice small details within an area. In his shoots he is known for documenting the ugly in an area that tells a story, for example the image of an old child's bike above. In the beginning of my project I wanted to document objects close-up to show British culture but my idea changed and I decided to document landscapes. His influence is not really existent within my work because I haven't focused on objects or people. The only element of my shoots I can relate to his work is my image of Big Ben with scaffolding around it.
This image can be considered as documenting the ugly to express British Culture. The fact that Big Ben is covered in scaffolding links to the work ethic in London and the changes that are carried out on a day-to-day basis. I didn't necessarily go out and take this image to link to Eggleston's work but it just links well with his ideas. This is one of the only images within my work that links to his because it is clear that my main focus is Simon Roberts and landscapes.